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Roland Jazz Chorus is the name given to a series of solid-state instrument amplifiers produced by the Roland Corporation in Japan since 1975. Its name comes from its built-in analog choruseffect. The Jazz Chorus series became increasingly popular in the late 1970s and early 1980s new wave and post-punk scenes because of its clean yet powerful sound, durability and relatively low cost when compared to the more commonly used tube amplifiers of the time such as Marshall or Fender. It also found favour amongst funk players in America.^[1] It also became popular to use for clean tones in heavy metal, with the most famous users being James Hetfield and Kirk Hammett from Metallica, and Wes Borland from Limp Bizkit.

Roland Jazz Chorus is the name given to a series of solid-state instrument amplifiers produced by the Roland Corporation in Japan since 1975. Its name comes from its built-in analog chorus effect.The Jazz Chorus series became increasingly popular in the late 1970s and early 1980s new wave and post-punk scenes because of its clean yet powerful sound, durability and relatively low cost when. Jazz Amp 120 CFH — A re-creation of the 1986 Roland JC-120 used on “Cemetery Gates.” Cabinets: Darrell 412 — Based on the Randall R 412 JB; tailor-made for the Darrell 100 amp model. JP Jazz CFH — Centered around the stereo cabinet section of a Roland JC-120; the ideal companion for the Jazz Amp 120 CFH model. Industry-leading guitar amp & FX modeling software. Includes 177 iconic gear models. Mixing and mastering plug-ins on demand. This plugin covers three classic amp sounds – Fender, Vox and Marshall – with adjustable single mic placement for the cabinet. The sound is very good, but with no pedalboard, tone shaping is limited to the amp controls. Softube Vintage Amp Room review. Audio Media Research ReValver 4.

Most models have controls based on the JC-120's standard setup. There are two channels, one clean, the other with effects. The built-in effects include stereo chorus, vibrato, reverb, and distortion. The amplifier features high and low inputs, a bright switch as well as a three band equalizer and volume for each channel.

Timeline[edit]

Since its inception in 1975, the Roland Jazz Chorus amplifier has undergone several design iterations.

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1975JC-120, 120 watts, 2x12' speakers; JC-60, 60 watts, 1x12' speaker

1976JC-160, 120 watts, 4x10' speakers; JC-80 60 watts, 1x15' speaker

1978Free chip tune vst. JC-200, 200W (head); JC-200S, 2x12' speakers (cabinet); JC-50, 50 watts, 1x12' speaker /slap-bass-vst-plugin.html.

1984JC-120H, 120W head (“Bright” switch changed to “HI-TREBLE”); JC-77, 80 watts, 2x10' speakers; JC-55, 50 watts, 2x8' speakers

1992JC-20, 20 watts, 2x5' speakers

1996JC-85, 80 watts, 2x10' speakers

1997JC-90, 80 watts, 2x10' speakers (Eminence speakers)

2015JC-40, 40 watts, 2x10’’, (introduced stereo input); JC-22, 30 watts, 2x6.5' speakers^[2]

Notable users[edit]

The Jazz Chorus is one of the most famous and successful combo amplifiers from its period and its earliest users included Albert King, Andy Summers (The Police), Larry Coryell, Robert Smith (of The Cure, although he used the rarer 160 Watt JC-160 with 4 x 10' speakers), Billy Duffy (The Cult, Theatre of Hate), Art Saiz, John McGeoch (Magazine, Siouxsie and the Banshees, PIL, the Armoury Show), Steve Hackett, Robert Fripp, Adrian Belew, Steve Rothery and Wayne Hussey (the Sisters of Mercy, The Mission) among others. Summers' use of the amp in turn inspired, for instance, Jeff Buckley, whose first amplifier was a Jazz Chorus.^[3]

Another notable user of the JC-120 was Steve Levine, producer of bands such as Culture Club, The Beach Boys and The Clash. He often combined it with effects pedals from Boss Corporation, a Roland subsidiary.^[4]

See also[edit]

References[edit]

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1. ^Madsen, Pete (2007). Funk Guitar and Bass: Know the Players, Play the Music. Hal Leonard. p. 81. ISBN978-0-87930-894-0.
2. ^https://web.archive.org/web/20171217122328/http://my.roland.com/promos/jc_40_years/
3. ^Browne, David (2002). Dream Brother: The Lives and Music of Jeff and Tim buckley. HarperCollins. pp. 72. ISBN978-0-380-80624-9.
4. ^https://www.roland.com/products/jc-120/

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