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If you have a quality soundcard with loopback, I'd recommend Element. It's a free VST host. I route all my system sound to an unused output on my RME Fireface (ADAT 7/8), enable the loopback which then makes the ADAT 7/8 output available on the ADAT 7/8 input. Then I set up Element to use those inputs, split them into two separate linear phase EQs. ATC-SIM is a browser-based air traffic control simulator. No plug-ins or additional software are required to play. Explore the other side of flight simulation! The ATC Real Time Remote Controller VSTi is a great companionto your ATC-1/ATC-X from Studio Electronics. The ATC is a great gear, but the membrane panel makes it one of the worst to program. Airwindows plugins are modular, graphic-less, stripped-down, VST plugins, for Mac and PC. The Mac VSTs are all 64 bit- triple binary, i386 / x8664 / ppc. The PC VSTs come in 32 and 64 bit versions. Line 6 Helix Native Guitar Amp and Effects Plug-in 1.9.1 (Aug/2020) 64-bit (VST, VST3, AAX) Windows 7, 8, 10 Instructions: Just Install Direct Download (26MB) August 1, 2020 14 SoundToys 5.0.1 Ultimate.
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At its $299.00 MSRP, EastWest Spaces II is a steal compared to its competitors. Its cost is a small price to pay for what may become your favorite reverb. For those who already subscribe to EastWest’s ComposerCloud (also the best deal for virtual instruments on the market), the product is already waiting for you to discover. (Full Article)
SPACES II reverbs sounded, on the whole, incredible: smooth, wide, deep, complex and highly nuanced. My two thumbs are up. Way up! (Full Article)
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SPACES II is an extraordinarily comprehensive collection of reverbs, which will have something for everyone.
EastWest’s SPACES I has been my go to reverb for many years but SPACES II Is a must for everyone, it’s the most comprehensive and best sounding convolution reverb on the market by far.
— Mark 'Spike' Stent
(2018 Mix Engineer of the Year)
I can honestly say that this has now become my favorite go-to reverb for orchestral music and cinematic music. It has such a rich, deep and open sound that can make any instrument lush and beautiful.
To my ears SPACES II is one of the best sounding convolution reverbs I have heard and used and if you like the idea of putting your productions be it music or post in some very authentic sounding acoustic environments, you should check out EastWest SPACES II, you will be very glad you did. (Full Article)
The quality of the impulses themselves are so exceptional and the way the plugin has been fashioned for creative workflow makes it a music producer’s dream. (Full Article)
SPACES II is a great candidate for being your one and only convolution reverb, offering up plenty of high quality instrument-dependent presets along with all the essential groups of convolution spaces.
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The Sequel to the Ultimate 24-bit True Stereo Convolution Reverb.
SPACES II from EASTWEST is the highly-anticipated sequel to SPACES I, the top-selling convolution reverb engine endorsed by top industry professionals which set a new standard in impulse recording techniques. Produced by Doug Rogers and Nick Phoenix, SPACES II includes hundreds more new reverbs recorded in churches, concert halls, opera houses, catacombs, train stations, recording studios, and warehouses. It includes a new streamlined user interface, new control features, a vastly expanded collection of instrument specific reverbs, plus all of the reverbs from SPACES I, making SPACES II the most powerful and versatile convolution reverb on the market.
Instrument Specific Reverbs
A unique feature of SPACES II is the instrument specific reverbs that have been designed to take the guesswork out of instrument reverb selection. Only the SoCal hall was recorded using this method in SPACES I and it was so popular six locations with instrument specific reverbs are now included in SPACES II. How was this done? An ATC speaker array was created to emulate the sound projection patterns of each instrument or section. For orchestral halls, a recording was taken in the exact position an instrument would be on stage. A French horn fires its sound backwards against the back wall, therefore, an impulse for a French horn was created by firing the sweep tones from the middle to left rear of the stage, backwards and slightly towards the floor. 1st violin section recordings were taken by firing a series of speakers at an angle toward the ceiling, just like a real section, with a fifth speaker firing towards the floor to emulate the body of the violins. A choir shoots straight out from the back, a celeste or harp is usually way over to the side and a lot of that sound goes up giving you early reflections. Most soundtrack composers that use SPACES I consider the instrument specific reverbs from the SoCal Hall to be ground breaking. Set up a mixing template with unique reverb for the strings, brass, winds, percussion and choir and something magical happens. In SPACES II five more locations were added using this technique for a total of six. There are 324 instrument specific reverbs in SPACES II compared to 48 in SPACES I for a total of 372. It took a massive effort, but the results speak for themselves.
Brand New Spaces
From stunning concert venues like Abravanel Hall in Salt Lake City, Reynolds Hall in Las Vegas, and the War Memorial Opera House in San Francisco, to exquisite sounding churches like St. Patrick’s and St. Dominic’s, to unique and extraordinary sounding locations like catacombs and Union Station in Los Angeles and many more, the reverbs from these brand new spaces will inspire you and help bring your compositions to life with incredible realism. These are some of the best locations EastWest has recorded in and they will all perfectly compliment the locations from SPACES I.
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